For Now the Gingko Still Blooms

Just before Christmas about five years ago, I was taking a nap when a police officer came to the door and told my husband and I that we’d have to evacuate our home. A house a few down from ours had gone up in flames, and the police were concerned that firefighters wouldn’t be able to contain the blaze.

Standing on a street corner some distance from the fire with our dogs and neighbors, we came to hear the full story. Our neighbor had booby-trapped his house, then committed suicide inside. Officials were concerned that explosions might endanger the whole neighborhood. We didn’t know this neighbor except by sight, and all I knew about him was that he was part owner of an Italian restaurant in town. We later learned that he was deeply in debt and that his girlfriend had filed for a restraining order against him. At the time, I couldn’t process all this information and instead fixated on the beautiful gingko tree that stood right in front of the house. This was just one of those trees that made you stand up and take notice. Its bright yellow, fan-shaped leaves made the tree a giant beacon in the neighborhood. In the Fall, families would come to have their photos taken under the tree. And when the leaves fell, the ground would be carpeted in yellow for weeks. At other times of the year, elderly Asian men and women would come with plastic bags to gather gingko nuts.

The next morning, we learned that our neighbor had parked his SUV a couple blocks away and put his dog in it. I was so happy to learn that the dog survived, and that act alone redeemed  the guy a little bit in my mind. His house didn’t survive the fire, but I was thrilled to see that the gingko tree still stood.  Many of its leaves had been burned off, but it would not have to be cut down.

Of course, I thought of my neighbor when I learned that James Holmes had booby trapped his apartment before he went on his shooting spree at a movie theater in Aurora, Colorado. And I thought of Nathan Wilkins, the white man who shot and wounded 18 people at a bar walking distance from my house this month. What is it about these white men in money trouble that makes them want to cause harm to so many people they don’t even know? Strangely, in light of the Holmes and Wilkins shootings, I feel almost grateful to my former neighbor that the only person he killed was himself. I can’t help seeing these shootings, though, as inextricably linked to gender and race. Black men generally don’t meticulously plan public massacres of people they don’t even know. And women, regardless of race, tend to internalize their self-hatred, wounding themselves with eating disorders or cutting or suicide, rather than lashing out at others.

The property where my former neighbor’s house used to be was bought by his next door neighbors, who have landscaped the space and made it into a side yard. As you walk down Queen City Avenue, there’s just one lot without a house on it, an odd gap like that left by a missing tooth. I’m reminded of the terrible violence every time I walk past it. But at least the gingko still blooms. I hope all of us can say the same for ourselves after the next shooter comes along.

But What If It Really Was a Hand?

      “Wild Swans” is one of my favorite Alice Munro stories, from her collection The Beggar Maid (in Canada, the collection’s title was Who Do You Think You Are? but the American publishers thought Americans wouldn’t appreciate being asked that question in a book title). In the story, a teenaged girl taking the train to Toronto for the first time finds herself seated next to a minister (or, at least, a man who claims to be a minister) who chats with her. Later, he opens the newspaper, and while he’s reading, Rose begins to notice something going on: “But what if it really was a hand? She shifted slightly, moved as much as she could toward the window. Her imagination seemed to have created this reality, a reality she was not prepared for at all. She found it alarming. She was concentrating on that leg, that bit of skin with the stocking over it. She could not bring herself to look. Was there a pressure, or was there not? She shifted again. Her legs had been, and remained, tightly closed. It was a hand. It was a hand’s pressure.
“Please don’t. That was what she tried to say. She shaped the words in her mind, tried them out, then couldn’t get them past her lips. Why was that? The embarrassment, was it, the fear that people might hear? People were all around them, the seats were full.”
In this passage, Munro gets at the complicated set of emotions and impulses the victim of sexual harassment negotiates, especially when that victim is a child. In Munro’s story, the victim is a girl on the edge of womanhood. She is frightened, but she’s also self conscious, confused, and curious about what’s going on.  People like to think that harassment is a clear-cut matter: you touch me, I scream bloody murder and elbow you in the groin. But as this passage so subtly demonstrates, the mind can play tricks on itself. What’s real and what’s imagined? What’s intentional and what’s accidental? To accuse someone of harassment is to put yourself on the line, for the victim immediately opens her/himself up to the possibility of having wanted or instigated or invented the behavior being perpetrated upon her or him. Look at the recent Jerry Sandusky pedophilia case. The children he abused and raped didn’t come forward at first for fear that they wouldn’t be believed. To accuse someone of harassment or rape is to risk being publicly tainted by the very act that violated you privately. You risk being called a pervert, crazy person, slut, tease, liar.

I remember people saying some very cruel things about my mother after she came out as a lesbian in her 50′s. That she was selfish, self-indulgent, destroying the lives of her daughters just to have a little mid-life crisis. We went for a walk one evening when I visited her and discussed this.
“Wendy,” she said, “Do you think I would have CHOSEN this life?”
I didn’t know what she meant at the time, but I now understand: to be gay means to give up all our culture’s heterosexual privilege, especially when you’ve lived the better part of your life as a married heterosexual woman. To be gay means that you have to think twice before kissing your partner in public, lest you get the crap kicked out of you. To be gay means you might have to hide key details about your personal life when you’re at work. To be gay means family and friends might reject you, that people might keep their children away from you, that churches or certain business establishments might not welcome you. I could go on and on.
I know that the issue of sexual harassment and abuse might seem tangential to the issue of coming out as gay, but in both cases, the culture puts immense pressure on people not to speak the truth. I’m not equating being gay with being sexually abused; rather, I’m seeing a connection between the refusal of the culture to see and listen to people who are gay and to see and listen to people who are sexually abused. So often we just want to sweep things that make us uncomfortable under the rug and not think about them. And that is wrong.
The Jerry Sandusky case got me thinking about these issues, but I had a bit of an eye opener yesterday that forced me to confront (just a little) how complex issues of power and harassment are. I went shopping at a Family Dollar here in Tuscaloosa. In just the first few minutes of looking for my Visine for Contacts and bug repellant, I kept glancing up to see a man standing at the end of whatever aisle I was standing in. He was a tall black guy with one striking milky blue eye. As I moved through the store, he seemed to be following me. Over by the pet treats, where I was loading up on Busy Bones and rawhide chips, he asked if I needed a buggy (buggy=cart, for you Northeasterners). Then he asked what kind of dogs I had. A few moments later he came over again to tell me that he was cleaning up a bleach spill in the next aisle, so if I smelled something bad, that’s what it was. I was cordial with him, but I did notice that his attention seemed a little beyond what I was used to in a retail establishment. And then he walked by me again, this time brushing close, and I felt his hand graze my rear end.
It took me a moment to put together what had just happened, but I sort of “knew” it emotionally before my brain had registered it. This guy was on my case in some way that I didn’t like. I hurried up to the register and paid, orienting myself so that the customer behind me was literally standing right behind me. Already my brain was beginning to do the work Munro represents in “Wild Swans.” Was that a hand? Was it merely an accident? You must be crazy. That didn’t really happen.
But it did really happen. I know the difference between an accidental brush up against someone’s arm and a hand running along my bottom. There’s a difference between deliberate and accidental touch. And much as I’d like to think I’d whip around and confront the guy, I didn’t. My brain was already too busy telling me I’d imagined it. Then my brain told me it was no big deal, though my cheeks were burning and I couldn’t meet the cashier’s eyes. And then, when I got to my car and sat in the Tuscaloosa heat waiting for the air conditioner to get going, my brain told me that no one would believe me anyway: all the employees in the store were black, and I am white, and there’s way too much fucked up racial history in Alabama involving black men accused of harassing white women for me to even think about complaining about some Family Dollar employee who’s being paid $7.25 an hour to clean up bleach spills giving my ass a little feel-up.
The thing is, if I had my druthers, I wouldn’t even want to get the guy in trouble. I’d just like to ask him what he was thinking to do something like that to me while I’m out at the goddamn store just trying to buy some rawhides for my freaking dogs. I mean, really? I’m not going to perish or anything, but it’s not the greatest feeling in the world to be followed around a store and groped for a second like a piece of fruit.
I’d like for him to look at me with his one good eye and tell me the truth.

The Mens’ Club Plus One

This week’s Riff in The New York Times Magazine sounds yet another alarm about the imminent or at least probable at some point in the not-too-distant future death of the novel. In making his case, one Garth Risk Hallberg (he should drop the “Hallberg” and just go with “Garth Risk”) identifies two groups of The Anointed among novelists. On the one hand, we’ve got the “Towering Figures”: Don Delillo, Cormac McCarthy, John Updike, Toni Morrison, and Philip Roth.  On the other, we’ve got “The Breakfast Club” (his terms): Jeffrey Eugenides, Jonathan Franzen, Zadie Smith, David Foster Wallace, and Nathan Englander. These youngsters are apparently doing all that’s worthy of note in contemporary novel writing.

Notice the race and gender composition of both these groups. Is it deliberate that there’s only one woman in each and both are women of color?  I’ve noted before (say, when the book awards get handed out) that often a single woman of color gets chosen, as if choosing her can kill two birds with one stone (“No one can say we discriminated against women or people of color: look! Here’s Toni! Here’s Zadie!”). I do find it eerie, though, that white women writers get elided in these anointings. I wonder if, during the late-night convos on The State of the Novel Today that the Towering Figures and The Breakfast Club are having, Toni and Zadie are expected to fetch coffee for the fellas.

Hope not.